LIMITED PHYSICAL EDITION · 1,000 COPIES · CASSETTE ONLY

Hollywood, California · March–July 2026

BEAT TAPE is a physical-only collection of original music, beats, sketches, environments and sonic experiments created by Logan Richardson in Hollywood, California between March and July 2026.

Existing somewhere between beat record, compositional notebook and sound archive, the project documents another side of Richardson’s practice—music made through instinct, production, sampling, rhythm and the immediate possibilities of the studio.

There is no digital edition.

No streaming release.

The cassette is the work.

Created as an object in an era dominated by unlimited digital access, BEAT TAPE returns the listener to a different relationship with recorded music: two sides, a defined sequence and a physical artifact that must be held, played, turned over and experienced from beginning to end.

THE OBJECT

Limited to 1,000 physical copies worldwide.

Each cassette is individually signed and numbered by Logan Richardson, transforming the edition from conventional merchandise into a documented physical work from a specific period of his creative practice.

Once the edition is gone, the original pressing is complete.

Edition: 1,000
Format: Cassette
Availability: Physical Only
Created: Hollywood, California
Period: March–July 2026
Artist: Logan Richardson
Logan Richardson Studios

SIDE A

01 · Modular
02 · Bolero
03 · E. 55 Street
04 · Bonga
05 · Train ’em
06 · Wabble
07 · Chess
08 · Guitarlele
09 · Rainbow Lights
10 · Future Taxi

SIDE B

01 · Under The Sun
02 · Retreat
03 · Napoli
04 · Atmos
05 · Black-Tech
06 · Equalize
07 · Orwell
08 · Sifting

18 WORKS. TWO SIDES. ONE PHYSICAL EDITION.

Across eighteen pieces, Richardson moves through rhythm, abstraction, melody, repetition, distortion, electronics and fragments of musical memory.

The pieces are concise by design.

Ideas arrive, establish their world and disappear.

Rather than expanding every musical thought into a conventional composition, BEAT TAPE preserves the moment when an idea first becomes alive—the space between sketch and finished work, accident and intention, production and composition.

The studio becomes an instrument.

The beat becomes a score.

The cassette becomes the archive.

PHYSICAL MUSIC IN A DIGITAL WORLD

BEAT TAPE was conceived specifically as a physical release.

The decision not to distribute the project through conventional streaming platforms is part of the work itself. Access is finite. The sequence is fixed. Ownership means possessing one of the objects through which the music exists.

There are only 1,000.

Every copy occupies a numbered position within that edition.

SIGNED · NUMBERED · PHYSICAL ONLY

LOGAN RICHARDSON — BEAT TAPE

Hollywood, California
March–July 2026

Logan Richardson Studios
WAX Industry

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