Elevating Art, Sound, and Style

Harmonizing Creativity, and Amplifying Success

BEAT TAPE began with sound, but it was never meant to end there.

Created in Hollywood between March and July 2026, the project gathers 18 original works by Logan Richardson—beats, fragments, compositions, loops, textures and sonic environments developed in the immediacy of the studio.

The music exists somewhere between the finished composition and the private sketchbook: ideas caught while they are still moving.

There is rhythm here, but also memory. Repetition becomes meditation. Samples become architecture. Electronics, melody, distortion and silence pass through one another until the distinction between beat-making and composition begins to disappear.

THE PAINTING BECOMES THE OBJECT

The visual artwork was developed through original painting, not as decoration added after the music, but as another physical gesture within the same work.

Brushstrokes collide. Figures appear and disappear. Deep greens, reds, blues, earth tones and exposed marks accumulate into an image that feels less illustrated than excavated.

The painting is then fragmented across the cassette packaging.

Folded around edges.
Interrupted by clear plastic.
Hidden beneath the cassette.
Revealed again when the object is opened.

No single surface contains the entire image.

Like the music, the artwork is experienced through sequence, fragments and discovery.

The clear cassette shell exposes the machinery of playback while the painted exterior carries the evidence of the hand. One is mechanical; the other human. Between them sits magnetic tape—a physical material carrying an invisible archive of sound.

1 OF 1,000

Only 1,000 copies of BEAT TAPE exist in this edition.

Each is individually signed and numbered, giving every cassette its own place within the larger work.

The number is not simply an indication of scarcity. It documents the object.

5 / 1000.
86 / 1000.
417 / 1000.

One object. One position. One piece of the edition.

There is no endless digital shelf here. The limitation is intentional.

BEAT TAPE asks for something increasingly uncommon: that music become an object again. Something discovered, held, opened, turned over, played, rewound, kept and eventually aged.

THE CASSETTE IS THE ARCHIVE.

The painting carries the gesture.

The tape carries the sound.

The number carries the history.

And together they preserve a particular period of creation—not as a file floating indefinitely through the digital world, but as a physical record that was actually there.

LOGAN RICHARDSON — BEAT TAPE
18 Original Works · Two Sides · One Edition

Hollywood, California · 2026
Limited to 1,000 Signed & Numbered Copies